Sunday, 17 August 2014

Random Reviews!

As I seem to be in a bit of a fallow period blogwise I thought I would write some random reviews.
This involved taking items from the shelf (with my hand; see pics) without looking at them and then listening to them and writing a little bit about them whether I felt like it or not.
To make sure I write something I have imposed the following structure:

INFO (artist, title, date, etc)
WHERE/WHEN/WHY (ownership details)
REVIEW (review)
VERDICT (rating, in stars out of 5 for quality and 'cups of tea' out of 5* for to-my-tasteness)


*The 'cups of tea' rating was used in a great, eccentric fanzine called Kentucky Fried Afterbirth, which was (or is? I have no idea if it has survived in the post 2000s but I hope so) entirely the work of one man, 'Grey'. It was very funny and Grey utilised the 'cup of tea' rating as a way of giving fair reviews to work that wasn't really to his taste. I use it here for the same purpose, with thanks to Grey.


BEGIN!

PART ONE: SEVEN INCH RECORDS
 
 My 'storage system'. The tatty yellow sleeves are home made ones from the days when I tried to keep my singles nice
 
I don't own a vast amount of 7"s and I don't store them very nicely (see pic). I have randomly grabbed a chunk from the shelf. Here's what I think of them:
 
INFO
Can: I Want More/More
(Virgin, 1976)











WHERE/WHEN/WHY
In a charity shop at some point in the early 90s, out of curiosity having read about Can but never heard them
REVIEW
Pretty much a disco single, albeit a peculiar one, this is far from the best thing Can ever released, but is pretty good nonetheless (and seeing the band on Top of the Pops miming to it  for bemused youngsters is a bit creepy: http://youtu.be/-9nFglCyshY). The shimmering guitar part influenced Johnny Marr's iconic playing on The Smiths' classic How Soon Is Now and electronic elements are dated in an extremely likeable way. The b-side is (as one would expect) more of the same.

VERDICT
Quality: ***

Cup of tea:
 

 
 



INFO
Deee-Lite: Groove is in the Heart(Peanut Butter Mix)/What Is Love? (Holographic Goatee Mix)
(Elektra, 1990)



















WHERE/WHEN/WHY
Don't remember where, when is in a fit of nostalgia in the early 2000s, why is because of my age
REVIEW
Seriously dated but still fun, if a bit insubstantial. The best thing about it by far is the sample from Herbie Hancock's 'Bring Down the Birds' although Lady Miss Kier's voice is pretty good. The b-side (also from their debut album) is far more house music-y and suffers from tinny beats, but only sucks a bit.

VERDICT
Quality:**1/2
Cup of tea:

 







INFO
Napalm Death: The Curse/Musclehead/YourAchievement?/Dead/Morbid Deceiver
(Earache, 1988)


















WHERE/WHEN/WHY
Where is lost in the mists of time, when, 1989/90, why: because I liked Scum

REVIEW
Hmm. My favourite Napalm Death music ever is the first side of Scum. I love it, I love the (non)production, everything. From Enslavement to Obliteration (and indeed side two of Scum) I like less, I can never put my finger on why really, kind of like Extreme Noise Terror, to all intents and purposes the same as ND in the later 80s but I am just not keen on their music. All that said, this EP is pretty good;  The Curse is doomy and miserable, everything else is classic manic grind

VERDICT
Quality ****
Cup of Tea






INFO
Godiego: Gandhara/Celebration
(Satril/Canyon, 1978)















WHERE/WHEN/WHY
On the internet, 2005-ish, nostalgia: it's the end theme from Monkey! (aka Monkey Magic, aka Magic Monkey), a childhood favourite and also because I like a lot of Japanese GS music from the 60s/early 70s and onwards; plus Japanese singles are nicely packaged and, when buying from Japan, nearly always in amazingly good condition AND the sleeve features the band members dressed as characters from the show.
REVIEW
As music, it's soft, cheesy rock with a narrative about seeking enlightenment (i.e. the story of Monkey. The b-side is marginally more anthemic and rock, much less poignant.

VERDICT
Quality **
Cup of Tea







INFO
Saturday Night at Korolevu
(Viking, 1960?????)

















WHERE/WHEN/WHY
In some charity shop in the 90s, out of curiosity (and because I liked the sleeve)
REVIEW
This record was made as a souvenir for visitors to Korolevu, Fiji at some point in the (I think) late 50s). It captures the sounds of Fiji, interviews with pilots serving the tourists on the islands etc. Obviously completely cheesy and throwaway but actually very evocative, the privileged/Imperialistic tourism of the period now seeming almost as distant and exotic as Fiji must have to British travellers then.

VERDICT
Quality: ????
Cup of tea:





INFO
David Bowie/Pat Metheny Group: This is Not America
(EMI, 1985)

















WHERE/WHEN/WHY
In some charity shop in the 90s, because I am a Bowie fan
REVIEW
This is semi-okay in a kind of 'Under Pressure' way. It's not classic Bowie, but it's no worse than his standard mid-80s stuff. VERY 80s, a bit easy listening and cheese-ridden. Only partly Bowie's fault; the instrumental b-side showcases the tired 'incidental music from an 80s TV movie' that sometimes great jazz guitarist Metheny and his synth-ridden group gave him to work with 

VERDICT
Quality: **
Cup of tea:


INFO
Carpathian Forest: Through Chasm, Caves and Titan Woods
(Perverted Taste, 200?? gatefold 2x7" version)















WHERE/WHEN/WHY
On the internet, in 2007 or so, because I wanted a vinyl version and this one, a 2x7" gatefold was the only one I could find that was pretty cheap. Annoyingly it doesn't have the original sleeve art but UNnoyingly it does have the lyrics printed in the gatefold.
REVIEW
Still my favourite Carpathian Forest release, this 1995 EP (recorded '91/2) is classic Norwegian black metal in a strongly atmospheric vein. My favourite of the all-great tracks here is their whispered version of Edgar Allan Poe's The Raven. Nattefrost is sadly underrated these days, but he remains to me one of the iconic figures of Norwegian BM.

VERDICT
Quality: ****
Cup of tea:








INFO
Killing Joke:Wardance/Pssyche
(Malicious Damage, 1980)

















WHERE/WHEN/WHY
In some charity shop in the 90s, because I already loved their debut album
REVIEW
Just a great post-punk, semi industrial single, intense and angry but with a strangely pop gang-vocal chorus. My second favourite Killing Joke song after The Wait as it happens. The b-side is almost disco in its beat, I always think KJ are kind of like Joy Division music-wise (if not vocalwise) and this has an industrial/robotic quality and a sneering post-Johnny Rotten sneer but is lacking a chorus as good as the a-side. Still pretty good though.

VERDICT
Quality: ***1/2
Cup of tea:





INFO
Edwin Starr: Agent 00 Soul/Back Street
(Tamla Motown, 1971)

















WHERE/WHEN/WHY
In some charity shop around the turn of the millennium; wanted it to be funkier
REVIEW
Actually a Motown reissue of Starr's 1965 debut (on Ric-Tic Records), these two songs (especially the B-side) are very strongly in what is senselessly called the 'Northern Soul' style; a shame, because I don't really like Northern Soul and was hoping for something in the 'Funky Music Sho Nuff Turns Me On' mould. His voice is great though.

VERDICT
Quality: ***
Cup of tea:





INFO
Dead Kennedys: Halloween/Saturday Night Holocaust
(Alternative Tentacles, 1982)

















WHERE/WHEN/WHY
In a second hand record shop in the early 90s; because I was a big fan of the Dead Kennedys, who I still like
REVIEW
DKs last single (I think), this is classic, catchy and (relatively) commercial-punk DK song, despite the 'why don't you take your social regulations and shove them up your ass' refrain. Saturday Night Holocaust is a peculiar song, equating disco to Nazism (or something?) starts in a doomy, slightly tuneless way before becoming a jabbering Jello Biafra rant song; not bad though.

VERDICT
Quality: ***
Cup of tea:






INFO
Queen: Las Palabras De Amor/Cool Cat
(EMI, 1982)

















WHERE/WHEN/WHY
In a charity shop in the late 90s; because although not a big Queen fan as such I like some of their stuff, especially Hot Space, possibly their least popular album but I think one of their few underrated ones (see also A Day at the Races)
REVIEW
Somewhat cynically (or, being less cynical, generously)written as a singalong for Latin American fans, it's a big, spangly, not-bad power ballad. B-side Cool Cat is almost sleazy funk song and I really like it, especially Freddie's almost-too-high-pitched vocals and Brian May's clanky guitar.

VERDICT
Quality: ***
Cup of tea:







This was fun; I'll have to do more eventually!

Sunday, 1 June 2014

May's playlist

Some of the many songs that have been playing over the last month...

song of the day - May 1st
The Flowerpot Men - Beat City (1986)

Like most people, I know this song from the Ferris Bueller soundtrack. It's a great big of new wave-ish pop but I don't know much about the band other than that they were from the UK

song of the day - May 2nd
Matriarch - (from Revered Unto the Ages, 2007)

Puerto Rico's Matriarch only released one album, but it's a classic: eerie death metal with genuinely operatic vocals alongside the growls and, most importantly, some great songs like this one.

song of the day - May 3rd
Neil Young - Harvest (from Harvest, 1972)


The country twang can't kill the enigmatic sorrow of this lovely song.

song of the day -  May 4th
Iron Maiden - Burning Ambition (B-side to Running Free, 1980)

The early era of Iron Maiden has its own special charm, exemplified by this great song, one of the earliest Steve Harris compositions. Far more hard rock-like than their later material and with an atmosphere that never recurred in their post-Killers work. It's definitely true that Paul Di'Anno wouldn't have been able to sing their more complex, operatic work as well as Bruce Dickinson, but the opposite is also true; great though he is, Bruce's versions of early Maiden material are never as good as Di'Anno's.

Song of the day - May 5th
Butthole Surfers - Jingle of a Dog's Collar (from Electric Larryland, 1996)


Nearly a normal pop/rock song!


song of the day - May 6th
Woods of Infinity - Rock the World (from the cassette version of Hamptjarn, 2007)

In a career full of bizarre-but-apparently-heartfelt covers, this version of a Euro-kiddy-pop anthem by Swedish act "Bubbles" is unsettlingly sincere.

song of the day - May 7th
James Taylor - Shiver Me Timbers (from Other Covers, 2009)

Predictably lovely version of the already fairly lovely song from Waits' Heart of Saturday Night

song of the day - May 8th
Iron Maiden - Revelations (from Piece of Mind, 1983)

Although by Maiden standards a quite straightforward, rock (rather than metal) song, this is exactly the sort of thing that Bruce Dickinson brought to the band; articulate, dramatic and myth/history/literature-friendly.

song of the day - May 9th
The Sterling Sisters - Country Love (from Hale, 2012)

Not my cup of tea in theory, but this album of country tinged Americana has a lovely, sepia-toned atmosphere, and nowhere more so than in this fragile semi-ballad.

song of the day - May 10th
Collectress - Whitechapel (Hat in the Ring) (from Mondegreen, 2014)

Unusual string quartet Collectress' debut album is unclassifiable and sometimes beautiful; this particular song is dramatic and filmic

song of the day - May 11th
Orange Juice - I Guess I'm Just a Little Too Sensitive (from The Orange Juice, 1984)

Just a great song, which thankfully lives up to its excellent title

song of the day - May 12th
The Mercies - Let Me Stay With You (2008)

Ebullient early-Beatles style guitar pop from one of the many Japanese girl bands playing such stuff, just a lovely song, with great drums.

song of the day - May 13th
Cyndi Lauper - Money Changes Everything (from She's So Unusual, 1983)

Semi-unusual (new wave/punk), semi normal 80s pop, at her best (as on this song) Cyndi Lauper brings together both sides of her music perfectly.

song of the day - May 14th
1349 - Singer of Strange Songs (from Beyond the Apocalypse, 2004)

1349 are dependably good but there's just something indefinably different and great about this atmospheric-yet-brutal classic.

song of the day - May 15th
Pixies - Letter to Memphis (from Trompe le Monde, 1991)

Back in inferior form now, people forget that the final Pixies album of their initial phase was far from widely acclaimed. It has lots of great songs on it though; this, with its weird dissonant guitar part is my favourite.

song of the day - May 16th
Kyary Pamyu Pamyu -  Goodbye Teacher (2014)
 
  

Slightly creepy doll-like Jpop superstar Kyaru Pamyu Pamyu's music is appropriately cartoonish, cute and unsettlingly wistful


song of the day - May 17th
Emperor - An Elegy of Icaros (from IX Equilibrium, 1999)

This great, melodramatic and gothic-sounding song is one of many in Ihsahn's discography dedicated to adversarial/rebellious icons, and one of the best.

song of the day - May 18th
Tom Waits - Danny Says (from Orphans, 2006)

Love Tom Waits though I do, I was wary of him covering perhaps my favourite Ramones song; needn't have been though. Not quite as good as the original but great anyway.

song of the day - May 19th
DeeJay Punk Roc vs Onyx - Roc-IN-It  (1999)

What happened to DeeJay Punk Roc? This piece of laidback, jazzy hip-hop with non-laidback, jazzy rap from Onyx still sounds great.
 
song of the day - May 20th
Triumph - Follow Your Heart (from Thunder Seven, 1984)

Big, stupid positivist anthem from Canada's third or fourth most famous power trio: classic.

song of the day - May 21st
Iron Maiden - Man on the Edge (from The X Factor, 1995)

Very little of what was wrong with mid-90s Iron Maiden can be attributed to Blaze Bayley really: Maiden were due a career lull, trad metal was in decline, grunge was big but the material was mostly fairly strong. This is silly in the same way that most of the band's interpretations of movies/books etc are: all part of the fun. This is of course Michael Douglas' unintentionally campy classic Falling Down and Blaze delivers it with bullish intensity.

song of the day - May 22nd
Nazareth - Telegram (from Close Enough for Rock 'n' Roll, 1976)

Just past their peak at the time, the grizzled Dunfermline rockers were audibly exhausted on Close Enough... but they still had enough spirit to make art out of their situation rather than going through the motions (the classic rock reponse).

song of the day - May 23rd
Profezia - Il Gioco del Parassita (from Oracolo Suicida, 2013)

Seems like not everyone got it, but Italian BM stalwarts Profezia brought a subtly different flavour to their take on atmospheric black metal. This haunting, powerful song is anguished in a low-key kind of way.

 
song of the day - May 24th
Demonaz - Where Gods Once Rode (from March of the Norse, 2011)

Epic, feelgood, yet grim and frostbitten metal from Immortal lyricist Demonaz; Immortal-meets-Bathory-meets-Iron Maiden; easy to like.

 
song of the day - May 25th
Moose - Polly (from ...XYZ, 1992)

Lovely low-key semi-shoegaze from one of the often-overlooked bands of the era, with a Teenage Fanclub kind of wistfulness

 
song of the day - May 26th
Ihsahn - Regen (from Das Seelenbrechen, 2013)

Still my favourite album of last year, Das Seelenbrechen still hasn't had enough recognition, maybe because it's been overshadowed by the Emperor reunion concerts. It's better than Emperor, because even when the band became almost an Ihsahn solo project it was never as daring and varied as he has since become.

 
song of the day - May 27th
The Beatles - Honey Pie (from The Beatles, 1968)

I know you aren't supposed to like Paul McCartney's cheesy music hall pastiche type songs (apart from When I'm 64) but I like all of them, and this one most of all.

 
song of the day - May 28th
Ghost Bath - Torment (from Funeral, 2014)

This beautifully melancholy atmospheric music owes something to shoegaze, black metal and post-rock and manages to be extreme, unpredictable and yet strangely comforting.

 
song of the day - May 29th
New England - Turn Out the Light (from New England, 1978)

One of the great overlooked rock bands, New England's debut is a near perfect pop/rock/AOR release, produced by none other than Kiss frontman Paul Stanley and this is one of many excellent songs therein.

 
song of the day - May 30th
Peccatum - The Moribund People (from The Moribund People EP, 2005)

"Some suffer to the point where they grow numb, others are so numb they deserve to suffer". A nice song, in some ways, but not all.

 
song of the day - May 31st
The Smiths - Well I Wonder (from Meat is Murder, 1985)

For some reason rarely mentioned in Smiths-literature, this is one of their best, most perfectly constructed songs, with Morrissey on excellent form and the use of sound effects (rain) less melodramatic than usual.



Wednesday, 9 April 2014

Music to Cut Grass by (Vol 2)

More grass-cutting, more music...



* The Byrds - Turn! Turn! Turn! (To Everything There is a Season) (1965)

'A time to reap', it's practically about cutting grass! Plus it has some of the loveliest jangling Rickenbacker guitar known to man.

* The Beach Boys - Disney Girls (1957) (from Surf's Up (1971)

Bruce Johnston's achingly nostalgic song is bathed in a warm summery glow that isn't as 'outdoorsy' as more typical Beach Boys fare but has a contemplative quality perfect for the solitary pursuit of garden maintenance.

* Trini Lopez - Lalainia (from The Whole Enchilada, 1968)

A lovely, latin-tinged cover of Donovan's already quite lovely song, with typically excellent guitar playing by the sometimes cheesy crooner.

* The Doors - Love Street (from Waiting for the Sun (1968)

For every grandiose, brooding song in The Doors' discography there's a light, playful one like this.


These languid, summery tunes are all very well; but mowing is an energetic activity, so how about something to reflect the fact that, in a tiny way, one is imposing one's will on the landscape, like for instance

* Immortal - Tyrants (from Sons of Northern Darkness (2002)

Epic riff, great lyrics about being tyrants on gilded thrones: empowering :)

in a similar vein:

* Kiss - Saint and Sinner (from Creatures of the Night, 1982)

There are few things more dispiriting than the tuneless, passionless bark of Gene Simmons going through the motions. Conversely, when he is fully engaged in the material, and when (as here) it is good, he has one of the great rock voices.

* Slayer - Spill The Blood (from South of Heaven, 1988)

From the clean picking of the intro to the precision of the riffing, everything in this song is so clean and 80s that it cuts perfectly through background noise while remaining powerful and, in its morbid way, sort of uplifting.

Lightening the tone a little:

*Triumph - Follow Your Heart (from Thunder Seven, 1984)

Big, silly, feelgood motivational rock anthem by hairy Canadians.

Cutting grass isn't all mindless power though, it's the gentle winds  of spring with golden sunlight flickering through the trees;

* Tenniscoats - Baibaba Bimba (from Tan-Tan Therapy, 2007)

The wistful clarity of this simple, sad/happy tune cuts through the ambient mower-noise nicely

* Neil Young - Harvest (from Harvest, 1972)


The country twang can't kill the enigmatic sorrow of this lovely song.

* Beck - Cold Brains (from Mutations, 1998)

Inventive, slightly scruffy sounding 90s indie type stuff.

*Noctooa - Slate (from Adaptation, 2013)

A bit like Ancient VVisdom, this dark neofolk group are distinguished by some great songs and a singer whose voice reaches almost Crash Test Dummies depths of lowness. Great brooding music with an excellent blend of violin (or similar), electric and acoustic guitars.

Perhaps a bit oppressive though but the excellent drum sound on the intro to

*Throwing Muses - Counting Backwards (from The Real Ramona, 1992) should help.

A great, catchy, upbeat but enigmatic alt-rock classic.

In a similar(ish) vein

* Juliana Hatfield - Everyone Loves Me But You (from Hey Babe, 1992)

Yep, semi-cheese 90s indie but sort of sunny.

To end on a more soothing note:

* Michael Nyman - Gattaca (1997)

Shimmering atmospheric strings and piano; traditionally orchestral yet somehow futuristic. Not in any way related to grass cutting but very nice.

And the grass is done for another week or two (weather permitting)